Play Along Piano

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counterpoint

J.D. Zelenka: Lamentatio I (complete, from ZWV 53)

BSG

16:22	Est. Play Time
150	Measures
	1,706Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		23	0	10	8	96%
Contrabass		23	0	10	8	96%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		23	0	10	8	96%
Contrabass		23	0	10	8	96%
Violin 1		28	0	11	11	75%
Violin 2		27	0	11	9	75%
Bass		16	0	5	9	74%
Viola		23	0	7	9	59%
Oboe 1		19	0	8	9	31%
Oboe 2		19	0	7	8	29%

Fugue

Marc Sabatella

1:19	Est. Play Time
29	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	0	8	5	93%
		25	0	7	6	80%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	0	8	5	93%
		25	0	7	6	80%

Ricercar

Сергей Щетников

1:10	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		14	0	1	6	91%
		10	0	0	4	79%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		14	0	1	6	91%
		10	0	0	4	79%

T.L. de Victoria: Aestimatus sum

BSG

1:53	Est. Play Time
33	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 2		11	0	2	6	97%
Bass 1		12	0	2	6	91%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 2		11	0	2	6	97%
Bass 1		12	0	2	6	91%
Bass 2		10	0	2	6	76%
Tenor 1		10	0	1	6	64%

J. S. Bach: Contrapunctus XIV (extant torso, from BWV 1080)

BSG

8:40	Est. Play Time
239	Measures
	2,289Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		25	0	9	7	90%
		21	0	7	7	82%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		25	0	9	7	90%
		21	0	7	7	82%
		22	0	8	7	84%
		27	0	11	7	92%
Reed Contrabass		22	0	7	7	62%

J. S. Bach: Ach, Gott und Herr (per canonem), BWV 714

BSG

1:22	Est. Play Time
34	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		16	0	5	7	91%
Viola		10	0	3	4	68%
Violoncello		16	0	5	5	68%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		16	0	5	7	91%
Viola		10	0	3	4	68%
Violoncello		16	0	5	5	68%

J. S. Bach: Ich lasse dich nicht, du segnest mich denn (BWV 157, #1)

BSG

3:22	Est. Play Time
57	Measures
	1,948Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		23	0	8	4	100%
Cto		23	0	8	4	100%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		23	0	8	4	100%
Cto		23	0	8	4	100%
Oboe		21	0	7	7	96%
Violin		24	0	9	8	93%
Flute		21	0	8	8	91%
Bass		16	0	5	7	60%
Tenor		18	0	6	7	60%
FluteXEC		8	0	4	1	9%
OboXec		5	0	2	1	7%

J.S. Bach: Fuga Gm (BWV 542.2)(rec. on Zwolle (1720 Schnitger, Sonus Paradisi/Hauptwerk))

BSG

6:33	Est. Play Time
115	Measures
	1,296Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		27	2	10	8	97%
		36	0	13	6	92%
		26	0	10	6	58%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		27	2	10	8	97%
		36	0	13	6	92%
		26	0	10	6	58%

J.S. Bach: Kyrie II from B Minor Mass (BWV 232, #3)

BSG

4:32	Est. Play Time
59	Measures
	1,535Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vcl/Cb/Cto		26	57	9	6	99%
		23	0	8	6	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vcl/Cb/Cto		26	57	9	6	99%
		23	0	8	6	100%
Contrabass		23	0	8	6	100%
Vcl/Cb.		23	0	8	6	100%
Tenor		17	0	7	6	97%
Viola		17	0	7	6	97%
Alto		17	0	7	5	86%
Violin 2		17	0	7	5	86%
Ob. d'Am		23	0	9	5	85%
Flute		16	0	6	4	76%
Soprano		16	0	6	4	76%
Violin 1		16	0	6	4	76%
Bass		20	0	7	5	75%
Fagotto		20	0	7	5	75%

First Fugue I Ever Finished

Oskar Björkman

1:16	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	1	4	6	98%
		20	2	4	5	71%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	1	4	6	98%
		20	2	4	5	71%

Fugue in C-Major

sharaEZ

1:31	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	0	7	7	91%
		17	0	5	5	79%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	0	7	7	91%
		17	0	5	5	79%

T.L de Victoria: Eram quasi agnus

BSG

2:19	Est. Play Time
54	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		13	0	2	6	98%
Soprano		14	0	4	6	98%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		13	0	2	6	98%
Soprano		14	0	4	6	98%
Tenor		10	0	2	6	94%
Baritone		12	0	3	6	59%

Contrapunctus I

kyagielski

2:36	Est. Play Time
78	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F		23	0	8	6	91%
B♭ Cornet		20	0	7	7	86%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F		23	0	8	6	91%
B♭ Cornet		20	0	7	7	86%
Tuba		22	0	8	6	82%
Trombone		19	0	6	6	78%

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